“Title songs from the popular tele-serials such as Mayamruga, Mukhta Mukhta, Danda Pingadagalu, Guddada Bhootha, Silli Lalli, Papa Pandu, and many more are as popular as any classical ones from the movies. He is determined to not quit television, which he says made him what he is today. His latest works on TV are for Ranganayaki and Ishta Devathe alongside two of his upcoming silver screen ventures one of which features Yogesh in the lead. He explains that working for television is a bit monotonous while movies come with greater freedom to experiment and explore the technical aspects of composing and recording which is very limited for TV. “It has more of an emotional touch and the music elevates the entire experience.” With regards to his next Nanu Mattu Gunda, which revolves around an emotional connect between a dog and a man, Karthik shares that he was initially approached for scoring background music and when he eventually added a couple of songs, he was asked to convert it into a complete album.
#PAPA PANDU TITLE SONG MOVIE#
My first movie as a composer was for Banaadi which was a non-commercial venture, but with Lambhodhara, many were surprised that I was capable of doing movies too,” says Karthik Sharma. However, it makes one learn the entire process of composing, which even helps when working for movies. “Composing for tele-serials has its own fun despite restrictions such as time constraints and freedom for a composer.
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